Thursday, December 26, 2013
The Memoir and Christmas: Finding Meaning in Family Memories
The Christmas season is upon us like snow on North Dakota. With it comes a sleighful of memories. But how to write meaningfully about this most evocative of holidays in a way that engages the reader?
In a first draft of my client's memoir, I mined a five-page document he had written about the Christmases he remembered from his childhood in Germany in the early 1950s and inserted it into the memoir in chronological order. I found the cultural details colorful and fascinating: the walk through the snow to the Gothic Stadkirche in the center of town; the candles on the tree; the Christmas Eve rolmoepse (rolled herring); the recitation of poems and the small tables of presents for each child. I researched Christmases of the 1950s and found a cache of wonderful photos on the Internet from which to draw for authentic descriptions of street scenes and interiors. My client loved it.
When it came to using the memory in the memoir, however, it was too much. It slowed everything down. It became a "travelogue" of a German Christmas.
Thursday, December 5, 2013
Revision as Sculpture or Paring It Down to the Bone
On my fifth draft now and the revisions continue. The journey has been illuminating and freeing. The metaphor that suggests itself for this process is sculpture, or shaving a shank of meat off a skewer till you finally hit bone. Here is the process I have followed:
Wednesday, October 23, 2013
Killing My Darlings
By now, with the release of the new movie starring Daniel Radcliffe as the pre-Howl Allen Ginsberg, many of you will be familiar with the advice given to writers to "kill your darlings." You may even desire to know who really coined that phrase, meaning to cut all self-indulgent, superfluous, if masterful passages of your magnus opus during the revision stage. If so, read the article by Forrest Wickman in the online blog of the culture and current affairs magazine Slate for the short list of suspects. As for me, it is time to take that advice to heart.
It is round two of revisions on the memoir I am ghostwriting (though perhaps that phrase is not entirely accurate as my client has told me he intends to credit my labors in the "as told to" category). If anything, getting my name on the tome only heightens my anxiety at this stage to make a decent showing.
Monday, October 14, 2013
Creating Authentic Dialogue
I have just started revisions on my completed first draft, and one of the areas I will be focusing on is a review of sections containing dialogue. Dialogue is crucial for the way it can add dynamism and description to the narrative, move the plot along, and serve as a vehicle for showing the motives or underlying feelings of the characters.
When it comes to dialogue, the problem I have encountered in writing a memoir for my client is that he has a difficult time remembering conversations; at most I might get a line of two of a conversation between two people, and even then, it is the content of the exchange and not idiosyncrasies of speech that he provides. Entirely absent are characteristic expressions that would help to flesh out important characters in the narrative. In most cases, all I have captured are the bare bones of the exchange.
Just as I was grappling with this problem, I read author and writing teacher Mary Carroll Moore's recent post "Dialogue Do's and Don'ts" on her blog How to Plan, Write and Develop a Book. (I highly recommend signing up for this weekly gem.) Ms. Moore briefly touches on when and when not to use dialogue (something dealt with at length in her popular workshops) and provides excellent insights into what makes for effective dialogue.
When it comes to dialogue, the problem I have encountered in writing a memoir for my client is that he has a difficult time remembering conversations; at most I might get a line of two of a conversation between two people, and even then, it is the content of the exchange and not idiosyncrasies of speech that he provides. Entirely absent are characteristic expressions that would help to flesh out important characters in the narrative. In most cases, all I have captured are the bare bones of the exchange.
Just as I was grappling with this problem, I read author and writing teacher Mary Carroll Moore's recent post "Dialogue Do's and Don'ts" on her blog How to Plan, Write and Develop a Book. (I highly recommend signing up for this weekly gem.) Ms. Moore briefly touches on when and when not to use dialogue (something dealt with at length in her popular workshops) and provides excellent insights into what makes for effective dialogue.
Wednesday, October 9, 2013
Apps for the Memoir Writer: Scrivener
A couple of posts back I wrote about a recording and note-taking app called AudioNote. Now I will share my experience with a word-processing app called Scrivener that provides a format and tools beyond what MS Word and Apple Pages can do. It is compatible with both of these operating systems as well as with more industry-specific formats in publishing.
Even though I am proficient in probably forty percent of the tools this app offers, I love Scrivener. Beginning with the assumption that any long text is comprised of a collection of much shorter texts that need to be arranged in a cohesive manner, Scrivener allows you to create, organize, manipulate and revise these short sections and then compile them into longer texts.
Monday, August 26, 2013
Trust, Confidences and the Voyeuristic Nature of Ghostwriting a Memoir
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Illustration by Lisa Yount |
It was a pleasant dream. It took place in a house. In the beginning of the dream it was my house. At the end of the dream it was his house. Was the house the book we were writing together?
I wondered why I had dreamed about the man. Had I subconsciously invited him in? If I had, what did that mean? Did I want some sort of deeper acceptance from him? After listening to his stories for eight months, did I want him to somehow reciprocate and travel a while in my land?
The thought of his playing a part in my subconscious theater was all very disconcerting.
Thursday, July 25, 2013
Word Games and Panlexicon
One activity I do indulge in, however, is thinking about and searching for the perfect word, not only for the book I am currently working on, but for passwords, user names, puns, snippets of email exchanges, and so on.
One of the best I have come up with in the last year or so is "Palabramor" as my twitter name. In case you don't speak Spanish, that combines "palabra" or "word" and "amor" or "love." Cute, huh? Too bad only Spanish speakers will recognize my wit.
In this vein, I have been playing with the idea of a business name for quite some time that would incorporate all the writing services I offer, not just the memoir ghostwriting. Any writer will recognize the amusement value of such an enterprise. What fun it is to play with words. I suspect that most will also soon realize, after a Google search or two, how difficult it is to come up with something really original.
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